Oh my God, y'all are CRUSHING it (heh) with this album. The intro to crush is unbelievably catchy and gives me a "VHS recording of neon signs" mental image. In Camera is 90's vapor-pop in my mind, in the same universe as late 80's to mid-late 90s hits (Phil Collins?), but in every way improved. Thank you kiwis, and keep it up from Texas.